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Riefenstahl became one of the few women in Germany to direct a film during the Weimar era when, in 1932, she decided to try directing with her own film, The Blue Light. [5] In the latter half of the 1930s, she directed the Nazi propaganda films Triumph of the Will (1935) and Olympia (1938), resulting in worldwide attention and acclaim. The ...
Mildred Elizabeth Gillars (née Sisk; November 29, 1900 – June 25, 1988) [1] was an American broadcaster employed by Nazi Germany to disseminate Axis propaganda during World War II. Following her capture in post-war Berlin, Gillars became the first woman to be convicted of treason against the United States. [2]
The following is a list of German National Socialist propaganda films. Before and during the Second World War , the Reich Ministry of Public Enlightenment and Propaganda under Joseph Goebbels produced several propaganda films designed for the general public.
While some of them are popular only within the Neo-Nazi subculture, comedies starring Heinz Rühmann rank among the favourites of all Germans, and the propaganda films of Leni Riefenstahl have been influential, though controversial. A total of 1,084 feature films were shown in cinemas in Nazi Germany. [1]
Herbert Gerdes directed five Nazi propaganda films: Erbkrank (1936), Alles Leben ist Kampf (1937), Was du Ererbt (1938), Schuld oder Schein (1921), and Das Große Geheimnis (1920). [ 7 ] [ 8 ] Nazi propagandist Hans Traub , who had earned his PhD in 1925 with a dissertation on the press and the German revolutions of 1848–49 , wrote in the ...
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The NS-Frauen-Warte, aimed at women, included such topics as the role of women in the Nazi state. [83] Despite its propaganda elements, it was predominantly a women's magazine. [ 84 ] It defended anti-intellectualism , [ 85 ] urged women to have children, even in wartime, [ 86 ] [ 87 ] put forth what the Nazis had done for women, [ 88 ...
The desire to abolish 1920s fashion in Nazi Germany was consistent with Nazi propaganda which was insistent on limiting women to the private sphere as housewives and mother figures. [ 41 ] While the Nazi government sought to create a maternal ideal for the Aryan woman, they also sought financial gain from the textile industry. [ 42 ]