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the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♮ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
E-sharp minor is a theoretical key based on the musical note E ♯, consisting of the pitches E♯, F, G♯, A♯, B♯, C♯ and D♯. Its key signature has eight sharps, requiring one double sharp and six single sharps .
The A melodic minor scale, ascending and descending, on A. Play ... Melodic minor scale ascending on A. Play ...
F is a musical note, the fourth above C or fifth below C.It is the fourth note and the sixth semitone of the solfège.It is also known as fa in fixed-do solfège. [1] It is enharmonic equivalent with E ♯ (E-sharp) [2] and G (G-double flat), [3] amongst others.
In this role, it is used while descending far more often than while ascending. A familiar example of the descending scale is heard in a Ring of bells. A ring of twelve is sometimes augmented with a 5♯ and 6♭ to make a 10 note harmonic minor scale from bell 2 to bell 11 (for example, Worcester Cathedral). [6]
The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode.
The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1] It is otherwise known as the minor ...
F Sharp notes. F ♯ (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège.. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to sol bémol or G ♭ (G-flat) in 12 equal temperament.