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The four agencies encompass the questions of "who, what, when, where and why", and are as follows: Artist – the role of the artist where the art work is explored as the product of practitioners such as artists, artisans, craftspeople, architects and designers. The artist can be seen as an individual or as a group or movement.
The relationship is seen as a win-win for both the artist and the agent. Many professional buyers will only work with an art agent since they can be expected to already understand the business, pricing, and contract negotiation. Many unrecognized artists, no matter how talented, may find it hard to find an art agent willing to represent them.
In his 1998 book Art and Agency, Gell formulated an influential theory of art based on abductive reasoning.Gell argues that art in general (although his attention focuses on visual artifacts, like the prows of the boats of the Trobriand islands) acts on its users, i.e. achieves agency, through a sort of technical virtuosity.
The law of agency is an area of commercial law dealing with a set of contractual, quasi-contractual and non-contractual fiduciary relationships that involve a person, called the agent, who is authorized to act on behalf of another (called the principal) to create legal relations with a third party. [1]
Design management is the business side of design. Design managers need to speak the language of the business and the language of design. Design management is a field of inquiry that uses design, strategy, project management and supply chain techniques to control a creative process, support a culture of creativity, and build a structure and organization for design.
Social practice or socially engaged practice [1] in the arts focuses on community engagement through a range of art media, human interaction and social discourse. [2] While the term social practice has been used in the social sciences to refer to a fundamental property of human interaction, it has also been used to describe community-based arts practices such as relational aesthetics, [3] [4 ...
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Assemblage (from French: agencement, "a collection of things which have been gathered together or assembled") is a philosophical approach for studying the ontological diversity of agency, which means redistributing the capacity to act from an individual to a socio-material network of people, things, and narratives.