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Chris Difford was a constant member of Squeeze until he briefly left during 1999. During the tour in promotion of new studio album Domino, co-founder Chris Difford abruptly left Squeeze in early 1999, just days prior to the tour's North American leg. Announced initially as a hiatus due to a dislike of travel, it was much later revealed the exit ...
Squeeze are a British rock band active from 1974 to 1982, from 1985 to 1999, and from 2007 to the present date. Founded by Glenn Tilbrook (guitar, vocals), Chris Difford (guitar, vocals), Jools Holland (keyboards) and Paul Gunn (drums), the group have released 15 studio albums, 14 compilation albums, 4 live albums, 1 extended play, 48 singles and 34 music videos.
Squeeze reunited again in 2007, and Difford maintained a concurrent solo career alongside his work with the band. In March 2010, Difford curated Songs in the Key of London, an evening of music dedicated to the capital at the Barbican Centre, London. [11] In 2017, Difford published his autobiography, Some Fantastic Place: My Life In and Out of ...
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Carrack often filled in as an unofficial support act on the tour, usually playing "Tempted" to warm up the crowd. Building on the success of Mike + The Mechanics, Carrack was able to reestablish his solo career in 1987 with the hit studio album One Good Reason , and the accompanying hit single " Don't Shed a Tear ", which reached number nine on ...
"Pulling Mussels" is a "crowd favourite" at Squeeze concerts, [24] and as of September 2020, it is the band's most played song in concert. [25] The band performed the song on Saturday Night Live on 20 November 1982. [ 11 ]
To support the release, she embarked on a 20-city tour with Glenn Tilbrook, the iconic lead singer of Squeeze. In 2023, Lisa released the song "Love Is For The Making" as a single. The song reached the Top 20 on the Billboard A/C chart, getting to #17, and staying in the Top 30 for 4 1/2 months, an impressive feat for an indie artist.
"Take Me I'm Yours" was released as the first single from the band's debut 1978 album Squeeze.The track peaked at number 19 in the UK Singles Chart in May 1978. [3] The single's success not only established Squeeze as a new wave player, but provided manager Copeland the leverage to negotiate a favorable deal with A&M Records for another band he was managing: the Police, featuring his brother ...