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Obito Uchiha (Japanese: うちは オビト, Hepburn: Uchiha Obito), also known by his alias Tobi (トビ), is a character in Masashi Kishimoto's manga (and anime adaptation) Naruto. He is first introduced in a "Kakashi Chronicle" side story, as a young ninja who sacrifices himself to save his friends (Kakashi Hatake and Rin Nohara) from a cave-in.
Obito Uchiha (うちは オビト, Uchiha Obito), also known under his alias Tobi (トビ) is the true leader of the Akatsuki and the primary antagonist for most of Part II. As a child during the Third Great Ninja War, being Kakashi's teammate in Team Minato, Obito was similar to Naruto in both wanting to become Hokage and unrequited love for ...
The episodes for the seventeenth season of the anime series Naruto: Shippuden are based on Part II for Masashi Kishimoto's manga series. The season continues with the repentant Sasuke Uchiha joining with Naruto Uzumaki, Sakura Haruno, Kakashi Hatake and the allied shinobi forces to battle against Madara Uchiha and Obito Uchiha.
A powerful fox known as the Nine-Tails attacks Konoha, the hidden leaf village in the Land of Fire, one of the Five Great Shinobi Countries in the Ninja World. In response, the leader of Konoha and the Fourth Hokage, Minato Namikaze, at the cost of his life, seals the fox inside the body of his newborn son, Naruto Uzumaki, making him a host of the beast.
Naruto Shippuden the Movie: The Will of Fire (Japanese: 劇場版 NARUTO （ ナルト ） 疾風伝 火の意志を継ぐ者, Hepburn: Gekijōban Naruto Shippūden Hi no Ishi wo Tsugumono", lit. "Inheritance of the Will of Fire") , is a 2009 animated martial arts fantasy film and the sixth Naruto film overall and the third Naruto: Shippuden ...
Naruto Shippuden the Movie (Japanese: 劇場版 NARUTO （ ナルト ） 疾風伝, Hepburn: Gekijō-ban Naruto Shippūden) is an animated martial arts fantasy film and the fourth overall in the Naruto film series and the first Naruto: Shippuden film, directed by Hajime Kamegaki and written by Junki Takegami. The movie is set after episode 32.
A film, also known as a movie or motion picture, [a] is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. [1]