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The word metaphor itself is a metaphor, coming from a Greek term meaning 'transference (of ownership)'. The user of a metaphor alters the reference of the word, "carrying" it from one semantic "realm" to another. The new meaning of the word might derive from an analogy between the two semantic realms, but also from other reasons such as the ...
Metaphor may also be used for any rhetorical figures of speech that achieve their effects via association, comparison or resemblance. In this broader sense, antithesis, hyperbole, metonymy and simile would all be considered types of metaphor. Aristotle used both this sense and the regular, current sense above. [1]
An idiom is an expression that has a figurative meaning often related, but different from the literal meaning of the phrase. Example: You should keep your eye out for him. A pun is an expression intended for a humorous or rhetorical effect by exploiting different meanings of words. Example: I wondered why the ball was getting bigger. Then it ...
The Evermore track has two sports metaphors for the price of one. ‘Only the Young’ “You did all that you could do / The game was rigged, the ref got tricked.”
Internal rhyme: using two or more rhyming words in the same sentence. Litotes: an understatement achieved by negating the opposite statement, such as "not too bad" for "very good", or "she is not a beauty queen" for "she is ugly", yielding an ironical effect. Onomatopoeia: word that imitates a real sound (e.g. tick-tock or boom).
A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
Elvis Costello had some kind words to share about Taylor Swift’s talent as a songwriter when he made a podcast appearance earlier this month.. The “Alison” singer was reflecting on his ...
[11] In other words, a condensation is when more than one displacement occurs towards the same idea. In 1957, Jacques Lacan, inspired by an article by linguist Roman Jakobson, argued that the unconscious has the same structure of a language, and that condensation and displacement are equivalent to the poetic functions of metaphor and metonymy.