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Portuguese pavement: image of the seal of the University of Coimbra, in Portugal, featuring Wisdom. Portuguese pavement, known in Portuguese as calçada portuguesa or simply calçada (or pedra portuguesa in Brazil), is a traditional-style pavement used for many pedestrian areas in Portugal.
Pavers (or paviours), generally in the form of pre-cast concrete blocks, are often used for aesthetic purposes, or sometimes at port facilities that see long-duration pavement loading. Pavers are rarely used in areas that see high-speed vehicle traffic.
Concrete pavers may be used where winter temperatures dip below freezing. They are available in hole, x-shape, y-shape, pentagon, polygon and fan styles. An interlocking concrete paver, also known as a segmental paver, is a type of paver. This paver has emerged over the last couple of decades as a very popular alternative to brick, clay or ...
An example of crazy paving. Crazy paving is a means of hard-surfacing used outdoors, most frequently in gardens. Paving stones of irregular size and shape are laid in a haphazard manner sometimes with mortar filling the gaps between.
Pavers (flooring), an outdoor floor done in blocks; Permeable paving, paving that enables stormwater to flow through it or between gaps; Portuguese pavement, the traditional paving used in most pedestrian areas in Portugal; Resin-bound paving, a mixture of aggregate stones and resin used to pave footpaths, driveways, etc.
Laying setts in Edinburgh, Scotland, in 2013 Setts in pallet collars. A sett, also known as a block or Belgian block, [1] is a broadly rectangular quarried stone used in paving roads and walkways.
Charcoal powders are used to create patterns and pouncing, a transferring method of patterns from one surface to another. [ citation needed ] There are wide variations in artists' charcoal, depending on the proportion of ingredients: compressed charcoal from burned birch, clay, lamp black pigment, and a small quantity of ultramarine.
Georgia O'Keeffe, Drawing No. 2 - Special, charcoal on Fabriano laid paper, 60 x 46.3 cm (23 5/8 x 18 1/4 in.), 1915, National Gallery of Art Charcoal drawings by Georgia O'Keeffe from 1915 represents Georgia O'Keeffe's first major exploration of abstract art and attainment of a freedom to explore her artistic talents based upon what she felt and envisioned. [1]
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