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Considered a classic of 20th-century literature, The Stranger has received critical acclaim for Camus's philosophical outlook, absurdism, syntactic structure, and existentialism (despite Camus's rejection of the label), particularly within its final chapter. [3] Le Monde ranked The Stranger as number one on its 100 Books of the 20th Century. [4]
After the war, he was a celebrity figure and gave many lectures around the world. He married twice but had many extramarital affairs. Camus was politically active; he was part of the left that opposed Joseph Stalin and the Soviet Union because of their totalitarianism. Camus was a moralist and leaned towards anarcho-syndicalism.
Camus was a friend of Sartre, until their falling-out, and wrote several works with existential themes including The Rebel, Summer in Algiers, The Myth of Sisyphus, and The Stranger, the latter being "considered—to what would have been Camus's irritation—the exemplary existentialist novel." [93] Camus, like many others, rejected the ...
French writer Albert Camus is the novelist that most literary critics date the concept of absurdist fiction to, with Camus' most famous novel, L'Étranger (The Stranger, 1942), and his philosophical essay "The Myth of Sisyphus" (1942). The Bohemian, German-speaking, Franz Kafka is another absurdist fiction novelist.
A Happy Death was Camus' first novel and was clearly the precursor to his most famous work, The Stranger, published in 1942. The main character in A Happy Death is named "Patrice Mersault", similar to The Stranger' s "Meursault"; both are French Algerian clerks who kill another man.
The plot of Le Malentendu resembles the newspaper article that the protagonist of Camus' 1942 novel The Stranger finds under his mattress in his prison cell: it is the story of a man who became rich abroad and comes home to his village where his sister and mother have a hotel. He doesn't reveal his identity (in order to surprise them later ...
The play was later the subject of numerous revisions. It is part of what Camus called the "Cycle of the Absurd", together with the novel The Stranger (1942) and the essay The Myth of Sisyphus (1942). [2] A number of critics have reported the piece to be existentialist, though Camus always denied belonging to this philosophy. [3]
Camus made his debut as a writer in 1937, but his breakthrough came with the novel L’étranger ("The Stranger"), published in 1942. It concerns the absurdity of life, a theme he returns to in other books, including his philosophical work Le mythe de Sisyphe ("The Myth of Sisyphus", 1942).