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Appropriation in education is often understood and analyzed through activity theory.This theory was developed by Aleksei N. Leontiev and focuses on understanding the socio-cultural context (specifically the setting) learning occurs in. [7] Activity theory is predicated on the assumption that a person's frameworks for thinking are developed and carried out in specific settings, [8] and that ...
In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. [1] The use of appropriation has played a significant role in the history of the arts ( literary , visual , musical and performing arts ).
Appropriation (ecclesiastical) of the income of a benefice Cultural appropriation , the borrowing of an element of cultural expression of one group by another Reappropriation , the use with a sense of pride (of a negative word or object) by a member of the offended group
Appropriation in sociology is, according to James J. Sosnoski, "the assimilation of concepts into a governing framework...[the] arrogation, confiscation, [or] seizure of concepts." According to Tracy B Strong it contains the Latin root proprius , which, "carries the connotations not only of property , but also of proper, stable , assured and ...
A certain style of music video makes extensive use of found footage, mostly found on TV, like news, documentaries, old (and odd) films etc. The forefather of found footage music videos was artist Bruce Conner who screened Cosmic Ray in 1961. [3]
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In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Temporary appropriation refers to the action in which a person or a group of people realises an activity in a public space for which it was not designed for. According to Lara-Hernandez and Melis, [1] it is process that implies dynamism similar to what Graumann called the humanisation of the space, which is the fundamental societal defined meanings interiorised by the individual. [2]