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A vidicon tube is a video camera tube design in which the target material is a photoconductor. The vidicon was developed in 1950 at RCA by P. K. Weimer, S. V. Forgue and R. R. Goodrich as a simple alternative to the structurally and electrically complex image orthicon.
MegaVision was the first company to produce a digital camera back for sale, using a 4 megapixel vidicon tube behind a Cambo technical view camera. MegaVision has always produced the capture software that controls their camera hardware. MegaVision produced the first live focus video in a digital still camera porting video over twisted pair wires ...
The aims of the designers of the camera were, firstly, to produce a camera that was more tolerant to mis-registration and, secondly, to achieve a lighter camera by using smaller vidicon tubes to replace some of the large heavy IO tubes. The camera had an image orthicon tube for the luminance channel and three vidicon tubes for the colour ...
1936 saw the arrival of RCA's iconoscope camera. 1946 RCA's TK-10 studio camera used a 3" IO – Image Orthicon tube with a 4 lens turret. The RCA TK-30 (1946) was widely used as a field camera. A TK-30 is simply a TK-10 with a portable camera control unit. The 1948 Dumont Marconi MK IV was an Image Orthicon camera.
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A Farnsworth image dissector tube. An image dissector, also called a dissector tube, is a video camera tube in which photocathode emissions create an "electron image" which is then swept up, down and across an anode to produce an electrical signal representing the visual image.
The iconoscope was replaced in Europe around 1936 by the much more sensitive Super-Emitron and Superikonoskop, [7] [8] [9] while in the United States the iconoscope was the leading camera tube used for broadcasting from 1936 until 1946, when it was replaced by the image orthicon tube. [10] [11]
The EMI 2001 broadcast studio camera was an early, very successful British made Plumbicon studio camera that included the lens within the body of the camera. Four 30 mm tubes allowed one tube to be dedicated solely to producing a relatively high resolution monochrome signal, with the other three tubes each providing red, green and blue signals.