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Skepticism, also spelled scepticism in British English, is a questioning attitude or doubt toward knowledge claims that are seen as mere belief or dogma. [1] For example, if a person is skeptical about claims made by their government about an ongoing war then the person doubts that these claims are accurate.
The coat of arms of Michel Eyquem, Lord of Montaigne. Michel Eyquem, Seigneur de Montaigne (/ m ɒ n ˈ t eɪ n / mon-TAYN; [4] French: [miʃɛl ekɛm də mɔ̃tɛɲ]; Middle French: [miˈʃɛl ejˈkɛm də mõnˈtaɲə]; 28 February 1533 – 13 September 1592 [5]), commonly known as Michel de Montaigne, was one of the most significant philosophers of the French Renaissance.
Renaissance literature refers to European literature which was influenced by the intellectual and cultural tendencies associated with the Renaissance.The literature of the Renaissance was written within the general movement of the Renaissance, which arose in 14th-century Italy and continued until the mid-17th century in England while being diffused into the rest of the western world. [1]
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Hamlet is perhaps most affected by the prevailing skepticism in Shakespeare's day in response to the Renaissance's humanism. Humanists living prior to Shakespeare's time had argued that man was godlike, capable of anything. Skepticism toward this attitude is clearly expressed in Hamlet's What a piece of work is a man speech: [50]
The dominant art forms of the English Renaissance were literature and music. Visual arts in the English Renaissance were much less significant than in the Italian Renaissance. The English period began far later than the Italian, which was moving into Mannerism and the Baroque by the 1550s or earlier.
The dominant art forms of the English Renaissance were literature and music, which had a rich flowering. [93] Visual arts in the English Renaissance were much less significant than in the Italian Renaissance. The English Renaissance period in art began far later than the Italian, which had moved into Mannerism by the 1530s. [94]
The philosophy of literature, a subset of aesthetics, examines the nature of art and the significance of verbal arts, often overlooked in traditional aesthetic discussions. It raises philosophical questions about narrative, empathy, and ethics through fictional characters.