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The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
Jewelry: the jewelry and ornaments making craft of Sindh is really ancient since Indus valley civilization, different material and metals like Silver, Gold, Bronze, Copper, Brass, "Aaj" Ivory, plastic, glass, "Kodd, Sippi" seashells, Kanjhi were used to make jewelries in Sindh, in ancient times the jewelry were also used to be made of clay ...
MacNeil introduces pattern into her work through three processes, Diamond Cut, Kiln Cast and a Stencil Sandblasting process and takes her inspiration from building surfaces, facades, tiles and textiles, Art Deco, Lalique and Egyptian Art [26] A glass making technique MacNeil employs is lost wax casting with Fritt to create intricate shapes with ...
Italian glass blowing techniques, such as latticinio and zanfirico, have been adapted make beads. Furnace glass uses large decorated canes built up out of smaller canes, encased in clear glass and then extruded to form the beads with linear and twisting stripe patterns. No air is blown into the glass.
Printed Tile Art. Tile art is a small arrangement of tiles, or in some cases a single tile, with a painted pattern or image on top. Tile art includes other forms of tile-based art, such as mosaics, micromosaics, and stained glass. [1] Unlike mosaics, tile art can include larger pieces of tiles that are pre-decorated.
Glass was used in mosaics as early as 2500 BC, but it was not until the 3rd century BC that innovative artisans in Greece, Persia, and India created glass tiles.. Whereas clay tile is dated as early as 8,000 BC, there were significant barriers to the development of glass tile, including the high temperatures required to melt glass and the complexities of annealing glass curves.
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