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Midnight Blue is a 1963 [5] [6] [7] album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. [8]
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Gary Moore & The Midnight Blues Band – Live at Montreux 1990 is a live DVD by Gary Moore. Recorded live on 7 July 1990 and 9 July 1997 (bonussongs). Founded in 1967, the Montreux Jazz Festival is recognized as one of the most prestigious annual music events in the world. This 1990 performance was the first for Gary Moore at the event.
The track was also sampled by many artists, including The Chemical Brothers. [12] Davis signed with A&M Records as Billy "Guitar" Davis in 1969, and released "You Put Me in a Groove" backed with "As I Grow Old", [13] [14] as well as "Stanky (Get Funky)" backed with "I've Tried". [15] Davis got married in 1979, and had two children.
"Hide Away" or "Hideaway" is a blues guitar instrumental that has become "a standard for countless blues and rock musicians performing today". [1] First recorded in 1960 by Freddie King, the song became a hit on the record charts. It has been interpreted and recorded by numerous blues and other musicians and has been recognized by the Rock and ...
Midnite Vultures is the seventh studio album by American musician Beck, released on November 16, 1999, by DGC Records.While similar to most of Beck's previous albums in its exploration of widely varying styles, it did not achieve the same blockbuster success as his breakthrough album Odelay, but was still critically acclaimed and commercially successful.
The original recording of "Midnight Confessions" was a demo by the Evergreen Blues Band, whose manager – Lou Josie – wrote the song. The demo contained a horn section and caught the attention of record producer / engineer Steve Barri , who was looking to produce a song for the Grass Roots that was a " West Coast " version of a Motown -style ...
The piece's opening riff was first recorded in 1940 by a small group led by Duke Ellington sideman Johnny Hodges, under the title "That's the Blues, Old Man". Ellington used the same riff as the opening and closing theme of a longer-form composition, "Happy-Go-Lucky Local", that was itself one of four parts of his 1946 Deep South Suite .