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L.A. Midnight is the twentieth studio electric blues album by B.B. King released in 1972. It features two extended guitar jams with fellow guitarists Jesse Ed Davis and Joe Walsh ("Midnight" and "Lucille's Granny"). It also features Taj Mahal on harmonica and guitar. ("Can't You Hear Me Talking to You" and "I've Been Blue Too Long" respectively).
"Hide Away" or "Hideaway" is a blues guitar instrumental that has become "a standard for countless blues and rock musicians performing today". [1] First recorded in 1960 by Freddie King , the song became a hit on the record charts.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King.It was recorded on November 21, 1964, at the Regal Theater in Chicago.The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone ' s 2003 edition of the 500 Greatest Albums of All Time list, [6] before dropping to number 299 in a 2020 ...
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Freddie King (born Fred Christian; September 3, 1934 – December 28, 1976), also billed as Freddy King, was an American blues guitarist, singer and songwriter. He is considered one of the "Three Kings of the Blues Guitar" (along with Albert King and B. B. King, none of whom was a blood relative).
Midnight Believer is an album by the American musician B.B. King, released in 1978 on ABC Records. [1] The album reached No. 27 on the Billboard Top Soul Albums chart. [ 2 ] [ 3 ]
His best known track was "Guitar Pete's Blues". Franklin variously worked with a number of fellow blues musicians including St. Louis Jimmy Oden, Jazz Gillum, John Brim, Sunnyland Slim, and Tampa Red. [103] A versatile and accomplished musician, Franklin was able to adapt to electric blues, and provided backing to many musicians. [104]
The original recording of "Midnight Confessions" was a demo by the Evergreen Blues Band, whose manager – Lou Josie – wrote the song. The demo contained a horn section and caught the attention of record producer / engineer Steve Barri , who was looking to produce a song for the Grass Roots that was a " West Coast " version of a Motown -style ...
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