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A German sixth chord on the last beat of m. 96 in Scott Joplin 's "Binks' Waltz" (1905). [ 1 ] In music theory, an augmented sixth chord contains the interval of an augmented sixth, usually above its bass tone. This chord has its origins in the Renaissance, [ 2 ] was further developed in the Baroque, and became a distinctive part of the musical ...
augmented sixth. Augmented sixth Play ⓘ. In music, an augmented sixth (Play ⓘ) is an interval produced by widening a major sixth by a chromatic semitone. [1][4] For instance, the interval from C to A is a major sixth, nine semitones wide, and both the intervals from C ♭ to A, and from C to A ♯ are augmented sixths, spanning ten semitones.
Augmented Augmented sixth chord: 3-8 4-25 4-27B ... Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes;
The term sixth chord refers to two different kinds of chord, the first in classical music and the second in modern popular music. [ 1 ][ 2 ] The original meaning of the term is a chord in first inversion, in other words with its third in the bass and its root a sixth above it. This is how the term is still used in classical music today, and in ...
The Tristan chord analyzed as a French sixth (in red) with appoggiatura and dominant seventh with passing tone in A minor. [ 6 ] The chord is an augmented sixth chord, specifically a French sixth chord, F–B–D ♯ -A, with the note G ♯ heard as an appoggiatura resolving to A. (Theorists debate the root of French sixth chords.) The harmonic ...
Play ⓘ. A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[7] (which could also be called ♭ V 7 /V, subV 7, [7] or V 7 / ♭ V [7]). For ...
Whole tone scale on C Play ⓘ. An augmented chord is one which contains an augmented interval, almost invariably the 5th of the chord. An augmented triad is a major triad whose fifth has been raised by a chromatic semitone; it is the principal harmony of the whole tone scale. For example, the D ♭ augmented triad contains the notes D ♭ —F ...
Neapolitan chord. Appearance. In Classical music theory, a Neapolitan chord (or simply a " Neapolitan ") is a major chord built on the lowered (flattened) second (supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, [ 1 ] since in minor scales the chord is built on the notes of the corresponding Phrygian mode.