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A German sixth chord on the last beat of m. 96 in Scott Joplin 's "Binks' Waltz" (1905). [ 1 ] In music theory, an augmented sixth chord contains the interval of an augmented sixth, usually above its bass tone. This chord has its origins in the Renaissance, [ 2 ] was further developed in the Baroque, and became a distinctive part of the musical ...
Augmented Augmented sixth chord: 3-8 4-25 4-27B ... Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes;
augmented sixth. Augmented sixth Play ⓘ. In music, an augmented sixth (Play ⓘ) is an interval produced by widening a major sixth by a chromatic semitone. [1][4] For instance, the interval from C to A is a major sixth, nine semitones wide, and both the intervals from C ♭ to A, and from C to A ♯ are augmented sixths, spanning ten semitones.
The Tristan chord analyzed as a French sixth (in red) with appoggiatura and dominant seventh with passing tone in A minor. [ 6 ] The chord is an augmented sixth chord, specifically a French sixth chord, F–B–D ♯ -A, with the note G ♯ heard as an appoggiatura resolving to A. (Theorists debate the root of French sixth chords.) The harmonic ...
"The augmented-fourth interval is the only interval whose inverse is the same as itself. The augmented-fourths tuning is the only tuning (other than the 'trivial' tuning C–C–C–C–C–C) for which all chords-forms remain unchanged when the strings are reversed. Thus the augmented-fourths tuning is its own 'lefty' tuning." [23]
The term sixth chord refers to two different kinds of chord, the first in classical music and the second in modern popular music. [ 1 ][ 2 ] The original meaning of the term is a chord in first inversion, in other words with its third in the bass and its root a sixth above it. This is how the term is still used in classical music today, and in ...
Play ⓘ. A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V 7 with ♭ II 7[7] (which could also be called ♭ V 7 /V, subV 7, [7] or V 7 / ♭ V [7]). For ...
These indicate a chord formed by the notes C–E–G ♯ –B ♭. The three parts of the symbol (C, aug, and 7) refer to the root C, the augmented (fifth) interval from C to G ♯, and the (minor) seventh interval from C to B ♭. Although they are used occasionally in classical music, typically in an educational setting for harmonic analysis ...
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