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A suncatcher or light catcher is a small reflective, refractive, and/or iridescent ornament. It may include glass or nacre pieces and be hung indoors near a window to "catch" sunlight. A suncatcher is like the optical equivalent of a wind chime. Some designs are simple and abstract with perhaps some mobile -like chained elements, while more ...
The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
The term "stained glass" commonly precedes "window" and is thus linked to architecture both linguistically and conceptually. The autonomous work is more like a painting than a stained glass window, and is a non-traditional use of the medium. [1] One critic somewhat pejoratively calls non-architectural stained glass "uncommissioned panels."
The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 172 bays illustrating biblical scenes, the lives of the saints and scenes from the ...
Favrile glass. Favrile glass is a type of iridescent art glass developed by Louis Comfort Tiffany. He patented this process in 1894 and first produced the glass for manufacture in 1896 in Queens, New York. It differs from most iridescent glasses because the color is ingrained in the glass itself, as well as having distinctive coloring.
Medieval stained glass is the coloured and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
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