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Even so, Johannes Brahms still felt the need to rewrite his C-sharp minor piano quartet in C minor, which was published as Piano Quartet No. 3 in C minor, Op. 60. [citation needed] The last intermezzo from his Three Intermezzi for piano, Op. 117 is in C-sharp minor. Alkan composed the second movement (Adagio) for Concerto for Solo Piano in C ...
Étude Op. 10, No. 4 in C ♯ minor, known as the Torrent étude, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the fourth piece of his Études Op. 10. This study, a very fast Presto con fuoco, features continuous sixteenth notes (semiquavers), in ...
The Nocturne No. 20 in C♯ minor, Op. posth., Lento con gran espressione, P 1, No. 16, KKIVa/16, WN 37, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1875. Chopin dedicated this work to his older sister Ludwika Chopin, with the statement: "To my sister Ludwika as an exercise before beginning the study of my ...
Theme C più lento (slower) — a sostenuto in the parallel key of C ♯ minor (D ♭ major, enharmonic equivalent to C ♯ major). Besides the slower general pace, the melody is in quarter notes except for a few flourishes in eighth notes, giving this section the quality of an interlude before the dramatic restatement of Theme B.
Piano Sonata in C-sharp minor (Tchaikovsky) Piano Sonata in C-sharp minor, D 655 (Schubert) Piano Sonata No. 14 (Beethoven) Polonaises, Op. 26 (Chopin) Prelude and Fugue in C-sharp minor, BWV 849. Prelude and Fugue in C-sharp minor, BWV 873. Prelude in C-sharp minor (Rachmaninoff)
The Études-Tableaux ("study pictures"), Op. 33, is the first of two sets of piano études composed by Sergei Rachmaninoff. They were intended to be "picture pieces", essentially "musical evocations of external visual stimuli". But Rachmaninoff did not disclose what inspired each one, stating: "I do not believe in the artist that discloses too ...
This is why the ii in a ii–V–I turnaround is a minor seventh chord (ii 7). In a natural minor scale, it is on the tonic, subdominant, and dominant degrees (, , and ). [4] In a harmonic minor scale, it is only on the subdominant degree (). [4] In an ascending melodic minor scale, it is only on the supertonic degree (). [4]
Its relative minor is A-sharp minor (or enharmonically B-flat minor), its parallel minor is C-sharp minor, and its enharmonic equivalence is D-flat major. The C-sharp major scale is: Audio playback is not supported in your browser.