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Century Gothic and Levenim MT have minor differences in spacing and punctuation marks. Levenim MT is a version of Century Gothic that includes Hebrew alphabet and is available for free on most versions of Windows. [13] Levenim MT has two weights, namely Regular and Bold. Unlike Century Gothic, Levenim MT does not have true italics.
Century Gothic [2] Sans Serif: Proportional: Regular, Bold, Italic, Bold Italic: ... Regular: Japanese MS UI Gothic [6] Sans Serif: Proportional: Regular: Japanese MV ...
Century is a family of serif type faces particularly intended for body text. The family originates from a first design, Century Roman, cut by American Type Founders designer Linn Boyd Benton in 1894 for master printer Theodore Low De Vinne, for use in The Century Magazine. [1] ATF rapidly expanded it into a very large family, first by Linn Boyd ...
New fonts added with macOS 10.13 High Sierra. High Sierra added several system fonts or additional weights of existing system fonts: Charter (Roman, Italic, Bold, Bold Italic, Black, Black Italic) DIN (Alternate Bold, Condensed Bold) Hiragino Kaku Gothic StdN W8. InaiMathi (Bold)
Samples of sans-serif typefaces Typeface name Example 1 Example 2 Example 3 Agency FB Designer: Caleigh Huber & Morris Fuller Benton Class: Geometric Akzidenz-Grotesk Designer: Günter Gerhard Lange
Aisha (Arabic, Latin) Aparajita (Angika, Bhojpuri, Bodo and other Indian languages) Arek (Armenian, Latin) Arial (Used in English, Arabic, Hebrew and other languages) [ 2 ] Avory (Cyrillic, Greek, Latin) Awami Nastaliq features a more extensive character set than most Nastaliq typefaces, supporting: Urdu, Balochi, Farsi (Iranian Persian ...
A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic.. All of Benton's typefaces were cut by American Type Founders.. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly” by Benton.
Trade Gothic is a sans-serif typeface designed in 1948 by Jackson Burke (1908–1975), who continued to work on further style-weight combinations, eventually 14 in all, until 1960, while he was director of type development for Linotype in the US. The family includes three weights and three widths.