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Walk, Don't Run (instrumental) The War Lord (instrumental) Washington Square (composition) Watermelon Man (composition) Wheels (The String-A-Longs song) Whipped Cream (song) White Summer; Wiggle Wobble; Wild Weekend (instrumental) Wipe Out (instrumental) Wonderful Land; Wonderland by Night
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
It was the second instrumental single to hit number one in 1962 on both the US and UK weekly charts. [note 1] Later in 1962, Meek produced a vocal version, "Magic Star", sung by Kenny Hollywood. It was released as a single by Decca Records (cat. nr F11546), with "The Wonderful Story of Love" on the B-side, written by Geoff Goddard.
S. School (Calvin Harris song) Scotch & Chocolate; Sensation Rag; Seven Seas Symphony; Singin' the Blues (Sam M. Lewis, Joe Young, Con Conrad and J. R. Robinson song)
The positions of all songs are based on week-end sale totals, from Sunday to Saturday, [4] but pre-1987 the charts were released on a Tuesday because of the need for manual calculation. [5] Since inception there have been more than 1,400 number ones; of these, instrumental tracks have topped the chart on 30 occasions for a total of 96 weeks.
Instrumentals composed, or first performed, published, recorded, or released in 1966. Pages in category "1966 instrumentals" The following 5 pages are in this category, out of 5 total.
In 1963, trumpet player Al Hirt recorded the instrumental, and the track was the first single from his album Honey in the Horn. It was Hirt's first and biggest hit on the US pop charts, reaching #4 on the Billboard Hot 100 on February 29, 1964 [2] and spending four weeks at #1 on the easy listening chart in early 1964. [3]