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Variations on "I Got Rhythm" is a set of variations for orchestra and piano solo composed by George Gershwin in 1933–34. The piece is dedicated "to [his] brother Ira". Gershwin composed the new piece for his forthcoming concert tour with the Leo Reisman Orchestra, as an alternative to his Rhapsody in Blue and Concerto in F.
The Rhythm changes is a common 32-bar jazz chord progression derived from George Gershwin's "I Got Rhythm". The progression is in AABA form , with each A section based on repetitions of the ubiquitous I–vi–ii–V sequence (or variants such as iii–vi–ii–V), and the B section using a circle of fifths sequence based on III 7 –VI 7 ...
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology (Thrivin' on a Riff)".
Piano Transcriptions of Eight Songs (1932) George Gershwin’s Song-Book (1932), complex arrangements of 18 Gershwin songs the 1932 hardbound editions contained original artwork by Constantin Alajalov for the 18 songs; a 19th song was enclosed with the 500 signed/numbered copies of the 1932 first edition: Mischa, Yascha, Toscha, Sascha
"Sunshine" is a country folk song from 1971 by Jonathan Edwards, released as the first single from his debut album Jonathan Edwards. The single reached No. 4 on the Billboard Hot 100 chart on January 15, 1972, [ 1 ] and earned a gold record.
"I Got the Sun in the Mornin' (and the Moon at Night)" is a song from the 1946 musical Annie Get Your Gun, written by Irving Berlin and originally performed by Ethel Merman. [ 1 ] [ 2 ] Hit recordings in 1946 were by Les Brown (vocal by Doris Day ) (No. 10 in the Billboard charts) and by Artie Shaw (vocal by Mel Torme ) (No. 17).
The chords used in the introduction (E throughout) and chorus (B, F ♯, E and E 7) suggest a key of B major. [14] In musicologist Walter Everett's description, however, the B chord "reveals itself to be the V of V of A" once the verse is heard for the first time. [15] The key change to D major occurs midway through the second verse, for the ...
"I Gotta Right to Sing the Blues" is a popular song with music by Harold Arlen and lyrics by Ted Koehler, published in 1932 for the Broadway show Earl Carroll's Vanities (1932). [1] The song has become a jazz and blues standard. Popular recordings in 1933 and 1934 were those by Cab Calloway, Louis Armstrong and Benny Goodman. [2]
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