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The Small Cowper Madonna is a painting by the Italian High Renaissance artist Raphael, depicting Mary and Child, in a typical Italian countryside. It has been dated to around 1504–1505, [ 1 ] the middle of the High Renaissance.
La Belle Jardinière, also known as the Madonna and Child with Saint John the Baptist, is a painting started by the Italian High Renaissance artist Raphael, and finished by Ridolfo del Ghirlandaio, that depicts the Madonna, a young Christ, and a young John the Baptist.
The Madonna with Beardless Saint Joseph is an early painting by Raphael, executed c. 1506, now at the Hermitage Museum. It depicts Saint Joseph , the Virgin Mary , and the Christ Child . [ 1 ]
God the Father and the Virgin Mary: Museo di Capodimonte, Naples, Italy: Tempera on panel 110 x 73 1501–1502: Saint Sebastian: Accademia Carrara di Belle Arti di Bergamo, Italy: Oil on panel 45,1 x 36,5 c. 1502: Saint Francis of Assisi (Raphael) [Wikidata] Dulwich Picture Gallery, London, United Kingdom: Oil on panel 25 x 16 c. 1502:
Paintings of the Madonna by the Italian renaissance artist Raphael. Media related to Madonnas by Raffaello Sanzio at Wikimedia Commons Pages in category "Paintings of the Madonna and Child by Raphael"
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church. The various different names are ...
Raphael was hailed as an artist who painted the most complete images. [6] The Painting. Canigiani Holy Family is an oil painting on a wood panel. The painting shows the Holy Family, consisting of Jesus Christ as a baby, the Virgin Mary, and Saint Joseph. The painting focuses on the baby Jesus, with the older figures looking on.
It depicts Mary embracing the Christ child while sitting in a chair as the young John the Baptist devoutly watches. The Madonna della Sedia is one of the single most important of Raphael's Madonnas. The painting also showcases Raphael's use of the tondo form and his naturalistic approach to depicting the Madonna. [2]