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Moche portrait vessel, Musée du quai Branly, ca. 100—700 CE, 16 x 29 x 22 cm Jane Osti (Cherokee Nation), with her award-winning pottery, 2006. Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1] Pottery is fired ceramics with clay as a component.
These pieces are valued because the artisan took the time to study the forms and cultures of the originals. Metepec also makes pottery for everyday use, generally of the natural clay color with simple geometric designs done in white slip. One of the more unusual pieces of this type are pitcher and cup set designed for the drinking of pulque ...
Pottery is made in these locations because of the quality of the natural clay found there and the tradition of production which goes back to the 16th century. [3] Much of this pottery was decorated only in blue, but colors such as yellow, black, green, orange and mauve have also been used. [4]
Traditional pueblo pottery is handmade from locally dug clay that is cleaned by hand of foreign matter. The clay is then worked using coiling techniques to form it into vessels that are primarily used for utilitarian purposes such as pots, storage containers for food and water, bowls and platters.
Many traditionalist East Asian potteries still use ash glazing, and it has seen a large revival in studio pottery in the West and East. Some potters like to achieve random effects by setting up the kiln so that ash created during firing falls onto the pots; this is called "natural" or "naturally occurring" ash glaze.
Coiling is a method of creating pottery. It has been used to shape clay into vessels for many thousands of years. It is found across the cultures of the world, including Africa, Greece, China, and Native American cultures of New Mexico. Using the coiling technique, it is possible to build thicker or taller walled vessels, which may not have ...
Some clays used to make pottery do not require the addition of tempers. Pure kaolin clay does not require tempering. [6] Some clays are self-tempered, that is, naturally contain enough mica, sand, or sponge spicules that they do not require additional tempering.
The identifying feature of Sandy ware is the use of quartz sand as a temper. Sand helped bind the clay together in forming the object, and kept the finished object from cracking while being dried and subsequently fired. The amount of sand used and the size of the sand grains in making Sandy ware differed by region and time period in Britain.
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