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G.I. Jane is a 1997 American action drama film directed by Ridley ... Urgayle gives O'Neil his Navy Cross and a book of poetry containing a short poem, "Self-pity", ...
The Master Chief's poem is by D.H. Lawrence, entitled "Self-Pity." When the Master chief forces them to stay awake, the Opera background music is "O mio Babbino Caro" (from the opera Gianni Schicchi). The Master Chief is seen reading an EM Forster novel at one point. The line "When I see the sea once more / will the sea have seen or not seen me?"
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Self-pity is an emotion in which one feels self-centered sorrow and pity toward the self regarding one's own internal and external experiences of suffering. [1] Self-pity has also been defined as an emotion "directed towards others with the goal of attracting attention, empathy, or help" [1] [2]
G. I. Jane serves largely as a venue for a number of songs provided by seven writers; among these were Jimmie Dodd, who later appeared on TV’s The Mickey Mouse Club. [8] Screenwriter Henry Blankfort was then blacklisted from working in pictures during the McCarthy-era anti-Communist hearings. Blankfort wrote G. I. Jane under a pseudonym, Jan ...
Matsui writes about a protagonist wallowing in self-pity and pondering whether she will find peace at night if she lets herself "cry like crazy". The song has been described as an "epic waltz". [ 2 ] Kudo was praised for her versatility as a vocalist, and specifically for her compelling delivery of Matsui's lyrics, which received acclaim for ...
Shelley wrote a number of poems devoted to Jane including With a Guitar, To Jane, One Word is Too Often Profaned, To Jane: The Invitation, To Jane: The Recollection and To Jane: The Keen Stars Were Twinkling. [2] In One Word is Too Often Profaned, Shelley rejects the use of the word Love to describe his relationship with Jane. He says that this ...
Aimee Elizabeth Mann (born September 8, 1960) is an American singer-songwriter. Over the course of four decades, she has released ten studio albums as a solo artist. She is noted for her sardonic and literate lyrics about dark subjects, often describing lost or lonely underdog characters.