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Official logos for quadannual stagings of the FIFA Women's World Cup, an international association football tournament contested by the senior women's national teams of the members of Fédération Internationale de Football Association (), the sport's global governing body.
On 25 March 2022, following a review of the current FIBA women's basketball system, FIBA expanded the World Cup back to 16 teams after reducing the teams to 12 teams in 2022. [6] The expansion brings the numbers of teams that qualified back to the same count as the World Cups between 1990 and 2018 .
Official logos for annual stagings of the FIFA Club World Cup, an international association football tournament contested by the senior football clubs of the member countries of Fédération Internationale de Football Association (), the sport's global governing body.
With four titles, the United States is the most successful Women's World Cup team; it is one of only seven nations to play in every World Cup. They have also had the most top-four finishes (8), medals (8), as well as final appearances (5), including the longest streak of three consecutive finals in 2011 , 2015 , and 2019 .
At the 2011 FIFA Women's World Cup in Germany, France qualified to the knockout stage by finishing in second place in its group after wins over Nigeria and Canada, and a loss to the host team. The team went on to beat England on penalty kicks in the quarterfinals, but lost to the United States in the semi-finals.
The following other wikis use this file: Usage on ar.wikipedia.org لو موند; Usage on arz.wikipedia.org لوموند; Usage on ast.wikipedia.org
The United States finished third at the next two editions of the Women's World Cup and as runners-up to Japan in 2011 before winning their third World Cup title in 2015 and fourth in 2019. [ 160 ] [ 161 ] Several members of the 2011, 2015, and 2019 teams cited the 1999 tournament as providing inspiration during their pursuit of a professional ...
Portrait d'une femme noire, 1800, Marie-Guillemine Benoist, Louvre; Dr. Susan Waller, "Marie-Guillemine Benoist, Portrait of Madeleine," in Smarthistory, September 26, 2018. James Smalls, "Slavery is a Woman: 'Race,' Gender, and Visuality in Marie Benoist's Portrait d'une négresse (1800)", Nineteenth-Century Art Worldwide 3, no. 1 (Spring 2004)