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The bourgeois consumer purchased objects and furnishings from a variety of revival styles, including rococo, for its significance in historicizing opulence and grandeur. Modern French Rococo furniture was characterized by its lightness, elegance and grace. [9] Its ornamentation consisted of delicate foliage and intricate details.
Secrétaire à abattant by Jean-François Leleu, Paris, ca 1770 (Musée Nissim de Camondo, Paris). French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities ...
The Swedish Karl Johan style, similar to Biedermeier, retained its elegant and blatantly Napoleonic style throughout the 19th century. Biedermeier furniture and lifestyle was a focus on exhibitions at the Vienna applied arts museum in 1896. The many visitors to this exhibition were so influenced by this fantasy style and its elegance that a new ...
The Larssons created their own style, which was influenced by the National Romantic style and the interior design ideas of the British artist William Morris, as well as the Arts and Crafts movement. Simple furniture and clear colors dominate the interior, a departure from contemporary bourgeois ideals of heavy, dark furnishings. [3]
The Modern French word bourgeois (/ ˈ b ʊər ʒ w ɑː / ⓘ BOORZH-wah or / b ʊər ˈ ʒ w ɑː / ⓘ boorzh-WAH, French: ⓘ) derived from the Old French borgeis or borjois ('town dweller'), which derived from bourg ('market town'), from the Old Frankish burg ('town'); in other European languages, the etymologic derivations include the Middle English burgeis, the Middle Dutch burgher, the ...
The Oppermanns is a family saga that chronicles the fall of a bourgeois German Jewish furniture company under the rise of Nazism.. In "time immemorial", Emmanuel Oppermann, a merchant who moves to Berlin, supplies the Prussian Army and starts the Oppermann furniture company.
The identification of furniture produced by Boulle's workshop is greatly hampered by a lack of documentation of the pieces he created. Unhappily it is by no means easy, even for the expert, to declare the authenticity of a commode, a bureau, or a table in the manner of Boulle and to all appearance from his workshops.
The style initially dominated the Swedish court and noble homes, but as the middle class expanded, it began to appear in bourgeois homes as well. During the later years of Gustavian rule, especially during the reign of Gustav IV Adolf, the style began to evolve towards more simplified forms, and the influence of French decorative arts waned ...
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