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The sousaphone (/ ˈ s uː z ə f oʊ n / SOO-zə-fohn) is a brass musical instrument in the tuba family. Created around 1893 by J. W. Pepper at the direction of American bandleader John Philip Sousa (after whom the instrument was then named), it was designed to be easier to play than the concert tuba while standing or marching, as well as to carry the sound of the instrument above the heads ...
Sousaphone. Marching brass instruments are brass instruments specially designed to be played while the player is moving. Not all instruments have a corresponding marching version, but many do, including the following: French horn (replaced by the mellophone) Baritone (replaced by the marching baritone or bass trumpet)
New Orleans style brass bands like the Dirty Dozen Brass Band and the Rebirth Brass Band use a sousaphone as the bass instrument. Bill Barber played tuba on several Miles Davis albums, including the sessions compiled as the Birth of the Cool and Miles Ahead. New York City-based tubist Marcus Rojas performed frequently with Henry Threadgill. [16]
Actually, a sousaphone is a type of tuba. A sousaphone is easier to carry and is used for marching. Don't get too obsessed with the difference. Jimmy Kimmel will make fun of you. And don't drop a ...
Piles of travel-worn cardboard boxes and pristine instrument cases stood stacked at one end of the cracked asphalt as scores of young performers marched, danced and played in tight formation ...
The marching brass bass or sousaphone is a modified helicon created in 1893 by Philadelphia instrument maker J. W. Pepper at Sousa's request, using several of his suggestions in its design. Sousa wanted a tuba that could sound upward and over the band whether its player was seated or marching.
The helicon is a brass musical instrument in the tuba family. Most are B ♭ basses, but they also commonly exist in E ♭ , F, and tenor sizes, as well as other types to a lesser extent. The sousaphone is a specialized version of the helicon.
The Venezuelan conductor created a unlikely orchestra for young refugees and asylum-seekers, despite the fact that members spoke different languages and some had never played an instrument.