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Roman bronze reproduction of Myron's Discobolus, 2nd century AD (Glyptothek, Munich) 3D model of a replica at National Gallery of Denmark, Denmark.. The Discobolus by Myron ("discus thrower", Greek: Δισκοβόλος, Diskobólos) is an ancient Greek sculpture completed at the start of the Classical period in around 460–450 BC that depicts an ancient Greek athlete throwing a discus.
The sculpture is mentioned twice in the ancient sources. Pausanias writes: “In this place is a statue of Athena striking Marsyas the Silenus for taking up the flutes that the goddess wished to be cast away for good.” [1] Pliny records: “His other works include Ladas and a ‘Discobolos’ or Man Throwing a Discus, and Perseus, and The Sawyers, and The Satyr Marvelling at the Flute and ...
An epigram [10] on Ladas, the fleetest runner of his time, notes that he was commemorated in a sculpture by Myron; of Myron's Ladas there is no known copy. A description by Lucian [11] conclusively identifies as Myron's the Discobolus or "Discus-Thrower", of which several copies exist, of which the best is in the Palazzo Massimi alle Terme, Rome.
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The Vatican Apoxyomenos by Lysippus, in the Museo Pio-Clementino, found in Trastevere, 1849.Height: 2.05 metres (6 feet 9 inches) Apoxyomenos (Greek: Αποξυόμενος, plural apoxyomenoi: [1] the "Scraper") is one of the conventional subjects of ancient Greek votive sculpture; it represents an athlete, caught in the familiar act of scraping sweat and dust from his body with the small ...
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323 BC ...
Kresilas (Greek: Κρησίλας Krēsílas; c. 480 – c. 410 BC) was a Greek sculptor in the Classical period (5th century BC), from Kydonia.He was trained in Argos and then worked in Athens at the time of the Peloponnesian War, as a follower of the idealistic portraiture of Myron.
Bust of Artemis, with the typical classical figure of idealized features and impassive expression.Roman copy, National Archaeological Museum of Naples Since the Severe period, the effort of artists was directed towards obtaining an increasing verisimilitude of sculptural forms concerning the living model but also seeking to transcend mere likeness to express their inner virtues.