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The music video of "Low" was directed by Bernard Gourley and contains certain clips from Step Up 2: The Streets. It also contains cameos from Rick Ross, DJ Khaled, Cool & Dre, Briana Evigan, Torch and Gunplay of Triple C's and Jermaine Dupri. Also, T-Pain and Flo Rida are in a nightclub in a few scenes.
T-Pain. Ethan Miller/Getty Images When even T-Pain admits to being down in the dumps, you know it’s rough out there. Though T-Pain, 39, has made some of the biggest party anthems of the past two ...
T-Pain. Paras Griffin/Getty Images T-Pain says he no longer takes credit for writing country music songs because of the racist backlash. The two-time Grammy winner, 39, is best known for creating ...
"Booty Wurk (One Cheek at a Time)" is a song by T-Pain featuring Nappy Boy Entertainment artist Joey Galaxy. It was released as a single on June 7, 2011, and originally served as the second single off T-Pain's fourth studio album RevolveЯ. However, the song was later excluded from the album's track listing.
It originally served as the second promotional single off T-Pain's fourth studio album RevolveЯ, but never made it on the track list. [1] Originally featuring a verse from Young Jeezy , this was later cut and replaced with a bridge sung by T-Pain, and backgrounds sung by Jon A. Gordon, Michael A. Gordon ( The Gordon Brothers ), and Courtney ...
The song was originally inspired by Petey Pablo's hip-hop song "Raise Up", and the part of the song included Pablo telling his native peers "take your shirt off, twist it 'round yo' head, spin it like a helicopter," and the same words were used on T-Pain's version (with the addition of the word motherfucker, although it is slightly muted). The ...
The song peaked at number 22 on the Billboard Hot 100, his eighth top 40 hit and T-Pain's sixth top 40 hit on that chart. It also peaked at number 2 and 12 on the Hot Rap Songs and Hot R&B/Hip-Hop Songs charts respectively and number 7 in New Zealand. The video premiered on Valentine's Day on BET's Access Granted.
The song features T-Pain on the last verse and Mickaël Zibi on the intro and chorus though he is only credited on the album. The song was produced by Lil Jon and the song's musical structure incorporates typical Roland TR-808 crisp Southern hip hop dance claps, basslines, and pizzicatos , as well as Lil Jon's signature crunk synths and whistles.