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Flashed glass, [1] or flash glass, is a type of glass [2] created by coating a colorless gather of glass with one [1] [3] [4] or more thin layers of colored glass. [5] This is done by placing a piece of melted glass of one color into another piece of melted glass of a different color and then blowing the glass.
The thing that makes these "special effects" of Clayton and Bell the more remarkable is that they were achieved with little resource to painted glass and flashed glass and without the multi-coloured Favrile glass used by Louis Comfort Tiffany studios and the Aesthetic designers of the United States. In fact, they used little more than radiating ...
A second method, sometimes used in some areas of windows, is flashed glass, a thin coating of coloured glass fused to colourless glass (or coloured glass, to produce a different colour). In medieval glass flashing was especially used for reds, as glass made with gold compounds was very expensive and tended to be too deep in colour to use at ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Art Nouveau glass is fine glass in the Art Nouveau style. Typically the forms are undulating, sinuous and colorful art, usually inspired by natural forms. Pieces are generally larger than drinking glasses, and decorative rather than practical, other than for use as vases and lighting fittings; there is little tableware.
Feathering – creating feather-like patterns on a glass by dragging a metal tool across the surface of a newly applied wrap. Frit – crushed glass often melted onto other glass to produce patterns and color; Incalmo – the grafting or joining together, while still hot, of two separately blown glass [bubbles] to produce a single [bubble]. [4]
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