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Emeka Ogboh // ⓘ (born May 14, 1977) is a Nigerian sound and installation artist best known for his soundscapes of life in Lagos.Trained as an artist, he began working with sounds that characterize cities following an Egyptian multimedia art program.
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"Sade" is a folk-pop ballad that incorporates elements of highlife and pop, reflecting Adekunle Gold’s focus on emotional storytelling. The track features a minimalist arrangement with piano riffs and subtle melodies, aligning with the introspective sound that was becoming prominent in Nigerian music during its release period.
Chief Stephen Osita Osadebe // ⓘ (March 17, 1936 [1] – May 11, 2007), [2] often referred to as just Osita Osadebe, was a Nigerian Igbo highlife musician from Atani.During his career spanning over four decades, he became one of the best known musicians of Igbo highlife.
Pon Pon is a subgenre that was briefly the main sound in the Nigerian afropop music scene during the mid-2010s. The subgenre has been used to describe songs influenced by dancehall and highlife. Sess The Problem Kid, a producer, characterised the genre by its "mellow vibe and soft-hitting synths, mostly in pairs".
The people of the North are known for complex percussion instrument music, the one-stringed goje, and a strong praise song vocal tradition.Under Muslim influence since the 14th century, Hausa music uses free-rhythmic improvisation and the Pentatonic scale, similar to other Muslim Sahelian tribes throughout West Africa, such as the Bambara, Kanuri, Fulani and Songhai.
A typical udu. Igbo music (Igbo: Egwu nkwa ndi Igbo) is the music of the Igbo people, who are indigenous to the southeastern part of Nigeria.The Igbo traditionally rely heavily on percussion instruments such as the drum and the gong, which are popular because of their innate ability to provide a diverse array of tempo, sound, and pitch. [1]