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"Earth's Answer" is a poem by William Blake within his larger collection called Songs of Innocence and of Experience (published 1794). [2] It is the response to the previous poem in The Songs of Experience-- Introduction (Blake, 1794). In the Introduction, the bard asks the Earth to wake up and claim ownership. In this poem, the feminine Earth ...
Also, the work was the first collected edition of the majority of Blake's poetry with an erudite commentary, despite its erroneous and misleading traits, like the memoir. [1] As one of the significant nineteenth-century developments in the dissemination of Blake's poetry, this book also made an ambitious attempt to interpret the poet's vatic ...
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Title page of Poetical Sketches. Poetical Sketches is the first collection of poetry and prose by William Blake, written between 1769 and 1777.Forty copies were printed in 1783 with the help of Blake's friends, the artist John Flaxman and the Reverend Anthony Stephen Mathew, at the request of his wife Harriet Mathew.
The novel alludes to several poems including "Sailing to Byzantium" by William Butler Yeats and "The Oven Bird" by Robert Frost. Several paintings are also mentioned, including Rousseau's "The Dream" and van Gogh's "Bedroom in Arles". The title itself may be an allusion to line 20 of the poem "Earth's Answer" by William Blake.
The poem asks you to analyze your life, to question whether every decision you made was for the greater good, and to learn and accept the decisions you have made in your life. One Answer to the Question would be simply to value the fact that you had the opportunity to live. Another interpretation is that the poem gives a deep image of suffering.
Instead, the poem draws on an older story, repeated in Milton's History of Britain, that Joseph of Arimathea, alone, travelled to preach to the ancient Britons after the death of Jesus. [4] The poem's theme is linked to the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a New Jerusalem.
This image comes from Copy E. of the work, printed in 1821 and in the collection of the Yale Center for British Art [5] [6] Los is the divine aspect of the imagination. After he becomes more mechanical and regular in his actions, he falls and becomes part of the material world. In the fallen state, he becomes the creator of life and of organic ...