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Lines can also derive from the borders of different colors or contrast, or sequences of discrete elements. Movement is also a source of lines, where the blurred movement renders as a line. [1] Subject lines contribute to both mood and linear perspective, giving the viewer the illusion of depth. Oblique lines convey a sense of movement, and ...
Move punctuation character to the end of the previous line. Oidashi (Wrap to next) Send characters not permitted at the end of a line to the next line, increase tracking to pad out first line. Another use is to wrap a character from the first line with the goal of preventing a character that shouldn't start a line from coming first on the next ...
The horizon in the photograph is on the horizontal line dividing the lower third of the photo from the upper two-thirds. The tree is at the intersection of two lines, sometimes called a power point [1] or a crash point. [2] The rule of thirds is a rule of thumb for composing visual art such as designs, films, paintings, and photographs. [3]
This line includes a masculine caesura after θεὰ, a natural break that separates the line into two logical parts. Homeric lines more commonly employ feminine caesurae; this preference is observed to an even higher degree among the Alexandrian poets. [3] An example of a feminine caesura is the opening line of the Odyssey:
A polyptych (/ ˈ p ɒ l ɪ p t ɪ k / POL-ip-tik; Greek: poly-"many" and ptychē "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: [ 1 ] a diptych is a two-part work of art; a triptych is a three-part work; a tetraptych or ...
One of the most fundamental elements of art is the line. An important feature of a line is that it indicates the edge of a two-dimensional (flat) shape or a three-dimensional form. A shape can be indicated by means of an outline, and a three-dimensional form can be indicated by contour lines. [1]
In Western art, hatching originated in the Middle Ages, and developed further into cross-hatching, especially in the old master prints of the fifteenth century. Master ES and Martin Schongauer in engraving and Erhard Reuwich and Michael Wolgemut in woodcut were pioneers of both techniques, and Albrecht Dürer in particular perfected the ...
The art of engraving has been practiced from the earliest ages. The prehistoric Aztec hatchet given to Alexander von Humboldt in Mexico was just as truly engraved as a modern copper-plate which may convey a design by John Flaxman; the Aztec engraving may be less sophisticated than the European, but it is the same art form.