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Most Digital8 units offer an LP mode, which increases the recording time on an NTSC P6-120 tape to 90 minutes. For PAL, the Digital8 recorder runs 1½ times faster; thus, a 90-minute PAL Hi8 tape yields 60 minutes of Digital8 video. PAL LP mode returns the tape speed to the Hi8 SP speed, so a Hi8 90-minute tape yields 90 minutes of Digital8 video.
Perhaps the most technically challenging conversion to make is the PAL and SÉCAM to NTSC conversion. PAL and SÉCAM use 625 lines at 50 fields/s or 25 frames/s; NTSC uses 525 lines at 59.94 fields/s (60000/1001) or 30 frames/s; The NTSC standard is temporally and spatially incompatible with both PAL and SÉCAM.
For both NTSC and PAL Digital8 equipment, a standard-length 120-minute NTSC/90-minute PAL Hi8 magnetic tape cassette will store 60 minutes of Digital8 video (Standard Play) or 90 minutes (Long Play). There are 90-minute versions marketed specifically for Digital8, but these use thinner tape than the 60-minute ones.
When operating in this mode most of them do not output a true (625/50) PAL signal, but rather a hybrid consisting of the original NTSC line standard (525/60), with colour converted to PAL 4.43 MHz (instead of 3.58 as with NTSC and South American PAL variants and with the PAL-specific phase alternation of colour difference signal between the ...
Consequently, it has become popular with low-budget film/video makers. It is the successor to the HV10, which was Canon's first consumer HDV camcorder. The NTSC-region camera shoots at 24p which gives a film-like look in PF24 mode, using 2:3 pulldown in a 60i stream. In PAL regions, it can record in native 25p mode and as such does not require ...
Nearly all DV camcorders and decks have IEEE 1394 (FireWire, i.LINK) ports for digital video transfer. This is usually a two-way port, so that DV video data can be output to a computer (DV-out), or input from either a computer or another camcorder (DV-in). The DV-in capability makes it possible to copy edited DV video from a computer back onto ...
The VX1000 was based on Sony's earlier VX1 (PAL) and VX3 (NTSC) Hi8 camcorders, which were similarly intended as "prosumer" models, targeted at both high-end consumer and low-end professional users. In the mid-1990s, Sony began to move away from Hi8 tape in favor of the emerging DV format, and as a result the VX3 and VX1 were discontinued in 1995.
The Sony DCR-TRV900 was a DV tape camcorder released by Sony in 1998, with an MSRP of USD $2699. It was intended as a high-end consumer camera, more portable and less expensive than the top-of-the-line DCR-VX1000. In 2002, Sony replaced the TRV900 with the somewhat less well-received DCR-TRV950.
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