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The genre originated as instrumental adaptation of the three-part texture common in Italian vocal music in the late 16th century. The earliest published trio sonatas appeared in Venice (Salamone Rossi Il primo libro delle sinfonie e gagliarde, 1607) and in Milan (Giovanni Paolo Cima, Sonata a tre for violin, cornett and continuo in the collection Concerti ecclesiastici, 1610).
The final movement (6/8, G minor) is the movement most strikingly similar to Smetana's Sonata in G minor (4th movement, Finale molto vivace). The first theme and the two-versus-three figures are nearly identical. The scoring accommodates the violin and cello as accompaniment figures to the piano until the arrival of the second theme.
In the trio sonata, a popular genre of the 17th and early 18th century, two melodic instruments are accompanied by a basso continuo, making three parts in all. But because the basso continuo is usually played by two instruments (typically a cello or bass viol and a keyboard instrument such as the harpsichord ), performances of trio sonatas ...
The Sonatensatz in B-flat major D. 28, also known as Piano Trio in B-flat major, is a single-movement work for piano trio by Franz Schubert. This work was written in 1812, immediately after the fifteen-year-old composer lost his place in Vienna's Imperial Chapel Choir due to his voice breaking. [ 1 ]
Fantasia on "The Last Rose of Summer" in E major for piano, Op. 15 (1827) Fantasies or Caprices for piano, Op. 16 (1829) No. 1 Fantasia in A minor; No. 2 Caprice or Scherzo in E minor; No. 3 Fantasia in E major ("The Rivulet") Fantasia in F-sharp minor for piano, Op. 28 ("Sonate écossaise") 3 Caprices, Op. 33 (1834–1835) No 1. in A minor (1834)
The third movement is a presto C minor in 6/8 time formally composed of a scherzo and trio: arranged in an ABA format. [4] The A section is rhythmically complex while the B section is more lyrical and melodic. It features frequent pianissimo dynamics, and suggests the same mood as the third movement of Brahms' Violin Sonata No. 3 in D minor Op ...
Piano Sonata No. 9 in D major, K. 311 (Mannheim, November–December 1777) Piano Sonata No. 10 in C major, K. 330 (Vienna or Salzburg, 1783)
Pyotr Ilyich Tchaikovsky's Trio in A minor, Op. 50, was written in Rome between December 1881 and late January 1882. It is subtitled À la mémoire d’un grand artiste [In memory of a great artist], in reference to Nikolai Rubinstein, his close friend and mentor, who had died on 23 March 1881. It is scored for piano, violin, and cello.
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