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Death bed scene from the ceiling of St Mary's, Grandtully painted for William Stewart. The largest group of these ceilings have patterns of fruit and flowers, and may perhaps have evoked tapestry borders and include religious iconography. [16] [17] Some ceilings in galleries at the top of buildings incorporated vignettes with biblical or ...
The amount of vigas used for a room vary, but six was the standard. Some rooms in Acoma are roofed with five to nine vigas. [9] Also, other structural practices were added to later buildings, such as placing horizontal bond beams to transfer structural loads to the adobe roof. The extension of vigas some feet outside of the wall is a standard ...
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
Arching above a side aisle roof, flying buttresses support the main vault of St. Mary's Church, in Lübeck, Germany.. The flying buttress (arc-boutant, arch buttress) is a specific form of buttress composed of a ramping arch that extends from the upper portion of a wall to a pier of great mass, in order to convey to the ground the lateral forces that push a wall outwards, which are forces that ...
The flowers were first grown in a nursery and then transferred on a buoyant mat platform called a Beemat. The Beemat has rows of planting holes and the plant’s roots protrude out the bottom ...
The designs in this period were formal and symmetrical and often tightly arranged with a variety of flowers. Oriental design became influential due to active trading. At the end of the period the designs became more informal due to the fact that the fragrance of the flowers, which were believed to rid the air of diseases, became more important.
Floating Clouds (sometimes called Flying Saucers by the artist) [1] is a work of art by American sculptor Alexander Calder, located in the Aula Magna of the University City of Caracas in Venezuela. The 1953 work comprises many 'cloud' panels that are renowned both artistically and acoustically.
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