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However the Spanish did not object to the Native-Americans learning to play European instruments. [1] The Native-Americans took their drum rhythms and incorporated then into music on the lutes to "preserve the original beats of Danza rhythms." [1] They used the Spanish instruments to "preserve their own songs, rhythms and sacred knowledge." [1]
Spanish musical instrument makers (3 C, 5 P) Pages in category "Spanish musical instruments" The following 19 pages are in this category, out of 19 total.
Castanets were used to evoke a Spanish atmosphere in Georges Bizet's opera, Carmen. They are also found in the "Dance of the Seven Veils" from Richard Strauss' opera Salome and in Richard Wagner's Tannhäuser. An unusual variation on the standard castanets can be found in Darius Milhaud's Les Choëphores, which calls for castanets made of metal.
Spanish Court or Decorado: 1694 Patrimonio Nacional, Palacio Real, Madrid, Spain [31] Collectively known as Quinteto Real or Quinteto Palatino (The Royal Quintet or Palace Quintet) when included with the violin duo, los Decorados (Spanish I and II 1687–1689), Bajo Palatino cello of 1700 and the Spanish Court viola of 1696. Is the original ...
Given that the cajón comes from musicians who were enslaved in the Spanish colonial Americas, there are two complementary origin theories for the instrument. It is possible that the drum is a direct descendant of a number of boxlike musical instruments from west and central Africa, especially Angola , and the Antilles .
The dulzaina (Spanish: [dulˈθajna]) or dolçaina (Catalan pronunciation: / [dulˈsajnə]) is a Spanish double reed instrument in the oboe family. It has a conical shape and is the equivalent of the Breton bombarde. It is often replaced by an oboe or a double reeded clarinet as seen in Armenian and Ukrainian folk music.
Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
Musicians who have played them in the 21st century include the Quatuor Mosaïques (an Austrian group which specialises in period instruments) and Spain's Cuarteto Quiroga, which was granted a "residency" with the instruments. [8] In January 2025 the instruments left the Royal Palace with a police escort for the short journey to the Teatro Real.