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Jelly Roll Morton - Tiger Rag Morton claimed to have written "Jelly Roll Blues" in 1905.. Morton was born Ferdinand Joseph LaMothe (or Lemott), into the Creole community [9] in the Faubourg Marigny neighborhood of New Orleans around 1890; he claimed to have been born in 1884 on his WWI draft registration card in 1918.
According to Jelly Roll Morton, the tune was composed in 1906 and was the first "stomp" in the history of jazz. [2] Morton first recorded the number in 1923 as a piano solo, but did not file a copyright on the tune until 1924. That year, Morton recorded a duet version with Joe "King" Oliver on cornet. Morton said that he had actually written ...
"Original Jelly Roll Blues", usually shortened to and known as "Jelly Roll Blues", is an early jazz fox-trot composed by Jelly Roll Morton. He recorded it first as a piano solo in Richmond, Indiana, in 1924, and then with his Red Hot Peppers in Chicago two years later, titled as it was originally copyrighted: "Original Jelly-Roll Blues".
In 1938, noted musicologist and Morton biographer Alan Lomax conducted a series of interviews with Morton at the Library of Congress. [1] Richard Cook and Brian Morton describe these recordings as Jelly Roll Morton's "virtual history of the birth pangs of jazz as it happened in the New Orleans of the turn of the century. His memory was ...
The Red Hot Peppers were a recording jazz band led by Jelly Roll Morton from 1926–1930. They were a seven- or eight-piece band formed in Chicago which recorded for Victor and featured some of the best New Orleans-style freelance musicians available, including cornetist George Mitchell, trombonist Kid Ory, clarinetists Omer Simeon and Johnny Dodds, banjoists Johnny St. Cyr and Bud Scott ...
Jelly's Last Jam is a musical with a book by George C. Wolfe, lyrics by Susan Birkenhead, and music by Jelly Roll Morton and Luther Henderson.Based on the life and career of Ferdinand Joseph LaMothe, known as Jelly Roll Morton and generally regarded as one of the primary driving forces behind the introduction of jazz to the American public in the early 20th century, it also serves as a social ...
John Szwed notes that in "Black Bottom Stomp," "Morton practiced what he preached, managing to incorporate in one short piece the 'Spanish tinge,' stomps, breaks, stoptime, backbeat, two-beat, four-beat, a complete suspension of the rhythm section during the piano solo, riffs, rich variations of melody, and dynamics of volume, all of the elements of jazz as he understood it."
The Bolden band tune "Funky Butt", better known as "Buddy Bolden's Blues" since it was first recorded under that title by Jelly Roll Morton, alternatively titled "I Thought I Heard Buddy Bolden Say", has been covered by hundreds of artists, including Dr. John, on his 1992 album Goin' Back to New Orleans, and Hugh Laurie, on his 2011 album Let ...
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