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Frank Isaac Robinson (born December 28, 1938), [2] known in his early musical career as Sugar Chile Robinson, is an American jazz pianist and singer. A Detroit native, Robinson became famous as a child prodigy in the mid-1940s.
The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl group the Dixie Cups , who scored an international hit with "Iko Iko".
"Sugar Mama" or "Sugar Mama Blues" is a blues standard. [1] Called a "tautly powerful slow blues" by music journalist Charles Shaar Murray , [ 2 ] it has been recorded by numerous artists, including early Chicago bluesmen Tampa Red , Sonny Boy Williamson I , and Tommy McClennan .
James "Sugar Boy" Crawford, Jr. (October 12, 1934 – September 15, 2012) was an American R&B musician based in New Orleans. He was the author of "Jock-A-Mo" (1954), which was later rerecorded as " Iko Iko " [ 1 ] by the Dixie Cups , and became a huge hit .
Believe is the debut studio album by Nigerian singer and songwriter Sugarboy. It was released on 22 April 2017, through G-Worldwide Entertainment. Exclusively produced by Emperor Geezy with additional productions from Young John, DJ Coublon, BeatBurx, Tony Ross, Da Genius, Luis AMG, Papi J, CMelony, and Bangaz.
Sugar is an album by jazz tenor saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with trumpeter Freddie Hubbard, guitarist George Benson, bassist Ron Carter and drummer Billy Kaye.
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
"Sugar Baby" is a song written and performed by the American singer-songwriter Bob Dylan, released in 2001 as the 12th and final track on his album Love and Theft. [2] Like most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost .
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