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Pages in category "German Expressionist films" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. A. Algol (film)
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
This period, between the end of World War I and the advent of the Nazi regime, is considered an early renaissance in world cinema, with many influential and important films being made. The style of many of these films is called German Expressionism. For an alphabetical list of articles on Weimar German films see Category:Films of the Weimar ...
This is a list of the most notable films produced in the German Empire until 1918, in year order. It includes German films from the introduction of the medium to the resignation of the Emperor at the end of World War I. Many of these films laid the groundwork for German Expressionism.
Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang [4] [5] from von Harbou's 1925 novel of the same name (which was intentionally written as a treatment). It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm.
(Top) 1 1895–1945. 2 1945–1989. 3 2000s–present. 4 See also. ... For an alphabetical list of articles on German films see Category:German films. 1895–1945
Few Kammerspiel films were made, but nearly all are classics. [3] Kammerspielfilme (the plural form) formed a German film movement of the 1920s silent film period that was developed around the same time as the more commonly known Expressionist movement in cinema.
From Morn to Midnight (German: Von morgens bis mitternachts) is a 1920 German silent expressionist film directed by Karlheinz Martin based on the 1912 play From Morning to Midnight by Georg Kaiser. It is one of the most radical films of the German Expressionist movement. [1]