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2. Jhumka (earring style) - Wikipedia

   en.wikipedia.org/wiki/Jhumka_(earring_style)

   Jhumka are a style of earring worn by women of the Indian subcontinent. [1] Under the Mughal Empire, the Kharanphool jhumka evolved into a single jewel, still maintaining its bell shape. Previously, the Kharanphool referred to the bejeweled round disc on the ear (the name itself meaning "flower for the ear"), and the jhumki referred to the bell ...

3. Paambadam - Wikipedia

   en.wikipedia.org/wiki/Paambadam

   Paambadam or Thandatti is an earring worn by elderly women in South Indian States such as Tamil Nadu and Kerala. [ 1 ] Designed in the shape of a snake hood, with two balls, two knobs, a square piece, and a tongue pieced together, the gold-coated earrings weigh about 50 g each.

4. Jewellery of Tamil Nadu - Wikipedia

   en.wikipedia.org/wiki/Jewellery_of_Tamil_Nadu

   Tamil people have historically been connoisseurs of fine golden jewellery, which has a history predating the Sangam period in the Indian subcontinent. Ancient Tamil literature lists out the different types of jewellery worn by women historically from head to toe. Apart from gold, jewellery was also fashioned out of silver, copper and brass.

5. 7 Jewelry Trends That Will Be Everywhere in 2025, According ...

   www.aol.com/lifestyle/9-jewelry-trends...

   Kevin Mazur/Edward Berthelot/JB Lacroix/Getty Images. Diamonds are indeed a girl’s best friend, and Teichman predicts earrings—studs and hoops specifically—will be the most requested item to ...

6. Kolhapuri saaj - Wikipedia

   en.wikipedia.org/wiki/Kolhapuri_saaj

   Gold necklace made in Kolhapur, Maharashtra, India. Kolhapuri saaj is a necklace named after Kolhapur, a city in Maharashtra, India. [1] Traditionally the necklace is made of 21 leaves or pendants but contemporary wearers prefer 10 to 12. [1] Customarily the necklace is handmade, taking a week to make.

7. Medieval jewelry - Wikipedia

   en.wikipedia.org/wiki/Medieval_jewelry

   The jewelry of the Byzantine Empire often features religious images or motifs such as the cross, even in pieces that were for secular use. Elaborate Roman styles were continued, but with growing use of cloisonné enamel. The main commissions for gold work and jewelry came from the Court or the Church. [18]