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The Grosse Fuge was originally composed as the final movement of Beethoven's Quartet No. 13 in B ♭ major, Op. 130, written in 1825; but Beethoven's publisher was concerned about the dismal commercial prospects of the piece and wanted the composer to replace the fugue with a new finale. Beethoven complied, and the Grosse Fuge was published as ...
The Variations and Fugue for Piano in E ♭ major, Op. 35 are a set of fifteen variations (plus three "bonus" variations) for solo piano composed by Ludwig van Beethoven in 1802. They are commonly referred to as the Eroica Variations because a different set of variations on the opening bass line section were used as the finale of his Symphony ...
Beethoven also sought to integrate variations, fugue, and lyricism into the sonata style he had cultivated through his career. [54] Perhaps the most important indication of his adherence to the Classical aesthetic is the musical unity he constantly strives for, even while moving away from the conventional sonata style (most of his late string ...
Modern performances sometimes follow the composer's original intentions, leaving out the substitute finale and concluding with the fugue. [3] British composer Robert Simpson argues that Beethoven's intentions are best served by playing the quartet as a seven-movement work, with the Große Fuge followed by the replacement finale. [4]
Prince Nikolai Galitzin commissioned the first three quartets (12, 13 and 15) and in a letter dated 9 November 1822, offered to pay Beethoven "what you think proper" for them. Beethoven replied on 25 January 1823 with his price of 50 ducats for each opus. [4] He composed the quartets in the sequence 12, 15, 13, 14, 16, writing 13 and 15 ...
Beethoven kept the original set of twenty-three in order, but inserted nos. 1 (the opening march), 2, 15, 23 (sometimes called a parody of a Cramer finger exercise), 24 (a lyrical fughetta), 25, 26, 28, 29 (the first of the series of three slow variations leading to the final fugue and minuet), 31 (the third, highly expressive slow variation ...
The String Quartet No. 14 in C ♯ minor, Op. 131, was completed by Ludwig van Beethoven in 1826. It is the last-composed of a trio of string quartets, written in the order Opp. 132, 130 (with the Große Fuge ending), 131.
The Op. 29 is Beethoven's only full-scale, original composition in the string quintet genre; of his other quintet works, the Op. 4 is an extensively reworked arrangement of the earlier Octet for Winds, Op. 103, the String Quintet Op. 104 is an arrangement of an earlier piano trio, and the later fugue is a short work.
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