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Hilly landscape with peasant family at a Cottage Door, Children playing and Woodcutter returning The Woodcutters Return. Thomas Gainsborough was the first British artist to employ cottages as a major subject, [1] [2] in what has become known as his "Cottage Door" paintings, painted during the final decades of his life; and was in the vanguard of a late 18th century fad of interest in them.
This is an accepted version of this page This is the latest accepted revision, reviewed on 16 February 2025. Device to open or close door Various examples of door handles throughout history A door handle or doorknob is a handle used to open or close a door. Door handles can be found on all types of doors including: exterior doors of residential and commercial buildings, internal doors ...
Cornard Wood, near Sudbury, Suffolk is a 1748 landscape painting by Thomas Gainsborough, now in the National Gallery, London, which bought it in 1875.The title has been used since 1828 and derives from a 1790 print of a Gainsborough work, though it is unproven whether the church tower in the background can be identified with that at Great Cornard, Suffolk.
Gainsborough painted the work in the summer of 1785, when the subjects, William Hallett (1764–1842) and Elizabeth Stephen (1763/4-1833) were both aged 21, shortly before their wedding at the church of St Lawrence in Little Stanmore on 30 July 1785. Gainsborough was commissioned by Hallett, and paid 120 guineas (£126).
A blue plaque in Gainsborough's honour [2] can be found in the town of Henley itself on the gates of the Manse, the house where he lived next to the Christ Church United Reformed Church. Inside he designed an early security chain and plate on one of the outside doors, allowing the door to be partially opened, that is still there now. Similar ...
Mr and Mrs Andrews is an oil on canvas portrait of about 1750 by Thomas Gainsborough, now in the National Gallery, London.Today it is one of his most famous works, but it remained in the family of the sitters until 1960 and was very little known before it appeared in an exhibition in Ipswich in 1927, after which it was regularly requested for other exhibitions in Britain and abroad, and ...
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