Search results
Results from the WOW.Com Content Network
Christ in Concrete is a 1939 novel by Pietro Di Donato about Italian-American construction workers.The book, which made Di Donato famous overnight, was originally published by Esquire Magazine as a short story in 1937, and subsequently expanded into a novel by the 28-year-old Di Donato.
He points towards the figure of Jesus in the distance, approaching the scene. To the left stands the young John the Apostle, behind him St. Peter, and further on Andrew the Apostle and Nathanael. In the foreground are people who watch the scene unfold but are undecided what to do, both young and old men. [1]
It measures 242 × 321 cm. [1] [2] [3] The canvas depicts Mary Magdalene and Jesus Christ in a life-size two-figure composition. The painting depicts the moment in the Gospel story when Mary Magdalene recognises the risen Christ. However, he stops her impulse by telling her, "Do not cling to me, for I have not yet ascended to the Father". [4] [5]
Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens .
The Incredulity of Saint Thomas by Caravaggio, c. 1602. A doubting Thomas is a skeptic who refuses to believe without direct personal experience – a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.
The absence of a halo emphasizes the corporeality of the risen Christ. [6] [failed verification] Behind Thomas are two other apostles, probably Saint Peter and Saint John the Evangelist. [7] Peter is subject of other works by Caravaggio, namely the Crucifixion of Saint Peter (1601) and The Denial of Saint Peter (1610).
But some connected the tableau to the biblical scene da Vinci portrayed in “The Last Supper,” when Jesus Christ and his apostles shared a final meal before the crucifixion. The Last Supper or ...
[4] The painting depicts the resurrection in a complex composition of twisted bodies before a dark background. Christ is floating above the scene kneeling on a cloud, holding a banner in his left hand, while the angel who lifted the tombstone is standing in profile turning his head victoriously towards the viewer.