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" Do-Re-Mi " is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names.
Such systems use as their syllables the note names "do, re, mi, fa, so, la, ti, do" (familiar to most people due to the song " Do-Re-Mi " from The Sound of Music ).
Solfège In music, solfège ( / ˈsɒlfɛʒ /, French: [sɔlfɛʒ]) or solfeggio ( / sɒlˈfɛdʒioʊ /; Italian: [solˈfeddʒo] ), also called sol-fa, solfa, solfeo, among many names, is a mnemonic used in teaching aural skills, pitch and sight-reading of Western music. Solfège is a form of solmization, though the two terms are sometimes used interchangeably.
The term note can refer to a specific musical event, for instance when saying the song " Happy Birthday to You ", begins with two notes of identical pitch. Or more generally, the term can refer to a class of identically sounding events, for instance when saying "the song begins with the same note repeated twice.
The classic variation is: Do Re Mi Fa Sol La Si Do'. The first Western system of functional names for the musical notes was introduced by Guido of Arezzo (c. 991 – after 1033), using the beginning syllables of the first six musical lines of the Latin hymn Ut queant laxis.
The Kodály method uses a system of movable-do solfège syllables for sight-singing: scale degrees are sung using corresponding syllable names ( do, re, mi, fa, so, la, and ti ).
Scale (music) In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave ", typically by order of pitch or fundamental frequency. [1] [2] The word "scale" originates from the Latin scala, which literally means "ladder". Therefore, any scale is distinguishable by its "step-pattern", or ...
The syllables ut-re-mi-fa-sol-la (do-re-mi-fa-sol-la) are taken from the six half-lines of the first stanza of the hymn Ut queant laxis, the notes of which are successively raised by one step, and the text of which is attributed to the Italian monk and scholar Paulus Deacon (although the musical line either shares a common ancestor with the ...