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Deep reddish purple. B: Normalized to [0–255] (byte) The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple ( hue rendering ), the color historically used by Roman and Byzantine emperors. The latter, often also referred to as "Tyrian red", is ...
Onesimus. Onesimus ( Greek: Ὀνήσιμος, translit. Onēsimos, meaning "useful"; died c. 68 AD, according to Catholic tradition ), [1] also called Onesimus of Byzantium and The Holy Apostle Onesimus in the Eastern Orthodox Church, [2] was a slave [3] to Philemon of Colossae, a man of Christian faith. He may also be the same Onesimus named ...
Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
The Byzantine emperor Constantine VII Porphyrogenitus in a 945 carved ivory. Traditionally, born in the purple [1] (sometimes "born to the purple") was a category of members of royal families born during the reign of their parent. This notion was later loosely expanded to include all children born of prominent or high-ranking parents. [2]
e. " Thou shalt not make unto thee any graven image " ( Hebrew: לֹא-תַעֲשֶׂה לְךָ פֶסֶל, וְכָל-תְּמוּנָה, romanized : Lōʾ-t̲aʿăśeh lək̲ā p̲esel, wək̲ol-təmûnāh) is an abbreviated form of one of the Ten Commandments which, according to the Book of Deuteronomy, were spoken by God to the Israelites ...
Byzantine mosaics. 10th century mosaic of Virgin and Child on a gold ground in the former cathedral Hagia Sophia in Istanbul, Turkey. Byzantine mosaics are mosaics produced from the 4th to 15th [1] centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular [2] and historically significant art forms ...
Byzantine text-type. In the textual criticism of the New Testament, the Byzantine text-type (also called Majority Text, Traditional Text, Ecclesiastical Text, Constantinopolitan Text, Antiocheian Text, or Syrian Text) is one of the main text types. It is the form found in the largest number of surviving manuscripts of the Greek New Testament.
Liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy. The symbolism of violet, blue, white, green, red, gold, black, rose and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.