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The Casinos was a nine-member doo-wop group from Cincinnati, Ohio, [1] led by Gene Hughes and which included Bob Armstrong, Ray White, Mickey Denton, and Pete Bolton. Ken Brady performed with the group, taking over for Hughes from 1962 to 1965 as lead singer. Pete Bolton was replaced at the time by Jerry Baker.
Casinos' frontman Gene Hughes would recall that he'd heard the 1964 Johnny Nash recording of "Then You Can Tell Me Goodbye" on the John R. Show broadcast on WLAC out of Nashville and that the Casinos had been performing it in their club act for several years (Gene Hughes quote:)"So, while we were in the studio in the King Studios in Cincinnati ...
Best Foot Forward is a 1941 musical with songs by Hugh Martin and Ralph Blane, and a book by John Cecil Holm.Produced by George Abbott, the production opened on Broadway on October 1, 1941, at the Ethel Barrymore Theatre after an out-of-town tryout, where it ran for 326 performances.
Ben Brantley, in his review for The New York Times, called the musical "bright and bouncy", "a real-live, old-fashioned, deeply satisfying Broadway musical in a way few new shows are anymore." Of Brown's score, he wrote: "His songs seamlessly propel plot and define character in the way numbers did in the heyday of Rodgers and Hammerstein." [17]
The show was directed and choreographed by Barbara Valente, with the cast that included Cindy Herron, John Nockels, Tim Connell, Mimi Unser, Darlene Popovic and James Followell. [6] In September 1987, a third production of Tune the Grand Up was financed by actor Richard Smart at the 490 seat Kahilu Theatre in the town of Kamuela, Hawaii . [ 5 ]
Shoshana E. Bean (born September 1, 1977) [1] is a Tony-nominated American singer, songwriter, and stage actress. [2] [3] She has appeared in numerous musicals, performing in major Off-Broadway and Broadway theatres, including in the original production of Hairspray.
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Crazy Rhythm was frequently used as the closing music for BBC's humorous The Goon Show, performed live by Max Geldray or Ray Ellington, and is commonly associated with the show. Another notable recording of the song is on 1961's Further Definitions, by Benny Carter with Coleman Hawkins. This is one of Carter's most acclaimed recordings. [7] [8]
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