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Philogyny is not to be confused with gynephilia, which is sexual attraction to women or femininity. Philogyny is love of, admiration for, or fondness (Impartiality) for women or girls. It is a form of philanthropy and philosophy that empowers and celebrates women at an equal status as men, thus dismantling the social roles of patriarchy and ...
Gynophobia should not generally be confused with misogyny, the hatred, contempt for and prejudice against women, [2] [3] although some may use the terms interchangeably, in reference to the social, rather than pathological aspect of negative attitudes towards women. [4] The antonym of misogyny is philogyny, the love, respect for and admiration ...
Spoilers ahead! We've warned you. We mean it. Read no further until you really want some clues or you've completely given up and want the answers ASAP. Get ready for all of today's NYT ...
A similar term is sapphic literature, encompassing works that feature love between women that are not necessarily lesbian. [2] [3] [4] Fiction that falls into this category may be of any genre, such as historical fiction, science fiction, fantasy, horror, and romance.
I Like Girls (French: J'aime les filles) is a Canadian short animated film, directed by Diane Obomsawin and released in 2016. [1] Based on Obomsawin's 2014 graphic novel On Loving Women, [2] the film features anthropomorphic animal characters acting out stories of lesbian same-sex attraction.
Free Love and Other Stories is a short story collection by Scottish Booker-shortlisted author Ali Smith, first published in 1995 by Virago Press. It was her first published book and won the Saltire First Book of the Year award. [1] and a Scottish Arts Council award [2] It contains twelve short stories. "A Sweetly memorable collection" - The ...
The Love of a Good Woman is a collection of short stories by Canadian writer Alice Munro, published by McClelland and Stewart in 1998.. The eight stories of this collection (one of which was originally published in Saturday Night; five others were originally published in The New Yorker) deal with Munro's typical themes: secrets, love, betrayal, and the stuff of ordinary lives.
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