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Thou art the Potter, I am the clay. Mold me and make me after Thy will; While I am waiting, yielded and still. Have Thine own way, Lord! Have Thine own way! Search me and try me, Master, today! Whiter than snow, Lord, wash me just now, As in Thy presence humbly I bow. Have Thine own way, Lord! Have Thine own way!
Redemption Songs is a collection of reinvented hymns and spiritual songs. As part of a church community that believed passionately the blessing of understanding the story of redemption through early church songs and ancient hymns, Jars of Clay found themselves a part of a growing renaissance, one that inspired them to write new songs using the rich hymn texts as the foundation.
Thomas Joseph Potter (1828–1873) was a British priest, educator and writer of hymns. Potter was born on 9 June 1828 in Scarborough, Yorkshire, England. In 1847 he became a Roman Catholic and became a priest. He was Professor of Pulpit Eloquence and English Literature at All Hallows College, Dublin. He published several books on preaching ...
The Potter has absolute control over what becomes of the clay. The message is God’s in control of our lives and He makes of us what He wishes. Pastor column: The message from the Potter's house
The hymn is more commonly sung to another tune of the same name by Edwin George Monk. In 1861 he published a hymnal entitled Hymns fitted to the Order of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church, According to the Use of the Church of England, To which are added Hymns for Certain Local ...
Circa 1893, aged 27, Chisholm had a Christian conversion experience during a revival in Franklin led by Henry Clay Morrison. [6] Following his ordination in 1903, [ 7 ] served as a minister in the Methodist Episcopal Church, South , for one year before resigning due to poor health. [ 8 ]
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Ugarit, where the Hurrian songs were found. The complete song is one of about 36 such hymns in cuneiform writing, found on fragments of clay tablets excavated in the 1950s from the Royal Palace at Ugarit (present-day Ras Shamra, Syria), [5] in a stratum dating from the fourteenth century BC, [6] but is the only one surviving in substantially complete form.