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Size varies between types, but most tapirs are about 2 m (6 + 1 ⁄ 2 ft) long, stand about 1 m (3 + 1 ⁄ 4 ft) high at the shoulder, and weigh between 150 and 300 kg (330 and 660 lb). Their coats are short and range in colour from reddish brown, to grey, to nearly black, with the notable exceptions of the Malayan tapir, which has a white ...
The Malayan tapir is the largest of the four extant tapir species and grows to between 1.8 and 2.5 m (5 ft 11 in and 8 ft 2 in) in length, not counting a stubby tail of only 5 to 10 cm (2.0 to 3.9 in) in length, and stands 90 to 110 cm (2 ft 11 in to 3 ft 7 in) tall.
The round, dark ears have distinctive white edges. Newborn tapirs have a dark brown coat, with small white spots and stripes along the body. The South American tapir can attain a body length of 1.8 to 2.5 m (5 ft 11 in to 8 ft 2 in) with a 5 to 10 cm (2.0 to 3.9 in) short stubby tail and an average weight around 225 kg (496 lb).
Bài Chòi (aka Bài tới in Huế) is a combination of arts in Central Vietnam including music, poetry, acting, painting and literature, [1] [2] providing recreation, entertainment and socialising within village communities. [3] It was inscribed on the UNESCO's Intangible Cultural Heritage of Humanity list in 2017.
The mountain tapir, also known as the Andean tapir or woolly tapir (Tapirus pinchaque), is the smallest of the four widely recognized species of tapir. It is found only in certain portions of the Andean Mountain Range in northwestern South America. As such, it is the only tapir species to live outside of tropical rainforests in the wild. [4]
This is a list of the mammal species of Vietnam. There are at least 290 mammal species in the country. [1] The following tags are used to highlight each species' conservation status as assessed on the respective IUCN Red List:
Liang published Phan's 1905 work Việt Nam vong quốc sử (History of the Loss of Vietnam) and intended to distribute it in China and abroad, but also to smuggle it into Vietnam. Phan wanted to rally people to support the cause for Vietnamese independence; the work is regarded as one of the most important books in the history of Vietnam's ...
The film gives an "unnerving and compelling .. subjective-camera-eye-view" of life under helicopter fire in a free-fire zone in the Mekong Delta during the Vietnam War. The film cuts to an "helicopter-eye view", contrasting painfully with the human tenderness seen earlier. [4] [5]